Bong Joon-ho’s “Mickey 17” is both a critique of gangster capitalism and an argument in favor of proletarian revolution.

  • treyf711@lemm.ee
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    3 days ago

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    Another thing I noticed was one of the very last scenes where they were re-printing a new Mark Ruffalo. I wondered if that was supposed to be some kind of big different ending, but turned out to just be Mickey having fantasize the whole thing. I thought they were gonna show that the thing that they were demonizing they were doing the entire time.